The contrasts and similarities between these places became the foundation of my creative practice whilst in the Netherlands which are intrinsically connected, by history and name. This involved documenting the leaves and plants found in the forests surrounding the city of Arnhem using cyanotype processes then dying the prints with plant pigments sourced back in the NT. As my art practice is heavily entwined with the methodology of weaving, this was a way to engage with the plant life in foreign surrounds. In the past weaving and harvesting planrt materials along with the use of a myriad of basket making processes has allowed me to create a relationship with Northern Australia. The exhibition embodies the long history of exchange between the Netherlands and Northern Australia.









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